Gibson Custom ES-335 Dot Electric Guitar, Vintage Sunburst, Plain Maple
Gibson Custom ES-335 Dot Electric Guitar, Vintage Sunburst, Plain Maple
- Ebony is accessible only in plain maple
- Dot Archtop Electric Guitar
- Vintage Sunburst
History History speaks for itself. The ES-335 is one of the most essential guitars of all time. Right from its introduction in 1958 as the worlds 1st semi-hollowbody electric guitar it has been a mainstay of players eager to balance the gorgeous, round, mellow tones ideal for jazz and blues with the edge and sustain of a complete-blooded solidbody. Right now the Gibson Custom Shop creates exacting duplicates of the ES-335 as it 1st left the Kalamazoo plant in 1958. That year just 267 were built, but the original vintage 335s grew steadily in recognition, peaking in 1967 thanks largely to Eric Claptons higher-profile use of a cherry ES-335 in the band Cream. Body and Finishes The Custom Shop ES-335 is offered with many finish choices, reflecting the color choices that have evolved more than the models 50-year history. In Satin finish, trans black and cherry colors are available, with a plain maple top, back, and rims. Ebony is accessible oHistory speaks for itself. The ES-335 is 1 of the most essential guitars of all time. Proper from its introduction in 1958 as the world’s very first semi-hollowbody electric guitar it has been a mainstay of players eager to balance the gorgeous, round, mellow tones excellent for jazz and blues with the edge and sustain of a complete-blooded solidbody. Numerous music legends have immortalized Gibson’s ES-335. Two ’57 Classic humbucking pickups and stopbar tailpiece. Grover kidney-shaped tuners. These days the Gibson Custom Shop creates exacting duplicates of the ES-335 as it initial left the Kalamazoo plant in 1958. That year just 267 were built, but the original vintage 335s grew steadily in recognition, peaking in 1967 thanks largely to Eric Clapton’s high-profile use of a cherry ES-335 in the band Cream.
Physique and Finishes Regardless of colour, the ES-335 retains its classic proportions: 16 1/2-inches wide, 20-inches lengthy, and 1 three/four-inches deep. The neck is one-piece mahogany beneath a 22-fret rosewood fingerboard with pearloid inlays and a single-ply binding. Moreover, there’s single-ply binding on the best and back.
Hardware Famous Players Nitrocellulose Finish All VOS (Vintage Original Spec) series guitars will use a proprietary approach that contains distinctive methods for staining, wet-sanding, and hand-rubbing subsequently the guitars reflect what a properly-cared for 40-year-old guitar looks like. The result is a remarkable patina that will delight even the most discriminating enthusiast. List Price: $ 4,233.00 Price tag: $ 2,999.00
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The Custom Shop ES-335 is available with several finish possibilities, reflecting the colour choices that have evolved more than the model’s 50-year history. In Satin finish, trans black and cherry colors are accessible, with a plain maple top, back, and rims. Ebony is obtainable only in plain maple. With the figured maple leading, back, and rims choice, cherry, tri-burst, antique organic, light burst, and vintage sunburst colors are offered. Wine red, trans brown, Beale Street Blue, and cinnamon burst finishes are also available in restricted quantities, along with gold hardware, for figured and for plain maple models.
All hardware is nickel, and there is a classic ABR-1 bridge with a lightweight aluminum stopbar tailpiece. Neck length is 24 three/4 inches with a 1 11/16-inch nut width. Satin finish models have vintage style tulip shaped tuners, while figured and plain tops come with Grover kidney-shaped tuners. All Custom Shop ES-335s have strong ’57 Classic humbucking pickups, two volume pots, two tone pots, and a three-way pickup selector switch. They are strung with Gibson Brite Wire .010 strings and come safely nestled in a black levant case.
Spanning quite a few decades, the ES-335 has been in the hands of countless musicians. From Chuck Berry’s several performances to Alvin Lee’s incendiary efficiency at Woodstock to Police’s 2008 tour in NYC, the ES-335 has been the instrument of option for any players looking for beautiful, round, mellow tones, tempered with the edge and sustain of a full-blooded solidbody electric like the Les Paul.
Applying a nitrocellulose finish to any Gibson guitar is one of the most labor-intensive elements of the guitar-making approach. A correctly applied nitro finish needs in depth man hours, many evenly applied coats, and an exorbitant amount of drying time. But this fact has by no means swayed Gibson into changing this time-tested technique, employed ever since the 1st Gibson guitar was swathed with lacquer back in 1894. Why? For starters, a nitro finish dries to a considerably thinner coat than a polyurethane finish, which indicates there is much less interference with the organic vibration of the instrument, enabling for a purer tone. A nitro finish is also a softer finish, which tends to make it effortlessly repairable. You can touch up a scratch or ding on a nitro finish, but you can’t do the identical on a poly finish. In addition, a nitro finish is quite porous in nature, and in fact gets thinner over time. It does not “seal” wood in an airtight shell–as a poly finish does–and permits the wood to breathe and age effectively.
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A Guitar Fit For the Gods,
I’ve had my ES-335 for 15 years now, bought a new one in 1996, and it has not let me down once during all that time. It is a trusted friend, a confidante, and often an advisor. It’s truly my guitar consigliere. There’s a common misconception that its tone is only good for jazz and blues – total nonsense. This thing can get gnarly, street-fight with the best of them. The thing is, man, it’s versatile. It can dial up some true raunch, and then in its next breath burn as clear and bright as the stars. Color don’t matter, get whichever one you like. Plug in into a tube amp, perhaps a vintage fender, and visit places you’ve only imagined…
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